Latest Articles

Morphestra 2: A Sample Logic Adventure [VIDEO]

So here’s what happened … I set out to do a review of Sample Logic‘s Morphestra 2, the massive follow-up and upgrade to their original Morphestra library and its Morphestra Generations redesign. I promised myself that I would keep it brief, and not try to cover everything, because, like most other Sample Logic libraries, the sheer

Music Software Review: SHREDDERS VOL. 1 by Audio Imperia

Warning: If you’re feeling some deja-vu, it could be because I recently reviewed another library by Audio Imperia, and some facts are just the same. Audio Imperia have already produced a respectable amount of libraries geared towards cinematic action and sound design. SHREDDERS VOL.1 – MODERN ACTION CINEMATIC TOOL KIT, produced by Darin Leach, is one

Music Software Review: ReForged by Impact Soundworks

Impact Soundworks has become a well known factor in sample content industry. One of their latest releases is ReForged – an ultra-expressive and deep collection of cinematic metallic sound design for impacts, textures, atmospheres, loops, beds, tonal elements, and beyond, for Native Instruments Kontakt. So let’s have a look on

Composer Interview – Chris Haigh

Website:www.chrishaighmusic.co.uk Facebook: www.facebook.com/ChrisHaighMusic How did you get into composition? Was it something you always wanted to do? It may sound very cliché, but after seeing the film and then hearing the Soundtrack to Gladiator by Hans Zimmer and Lisa Gerrard. I was so inspired by all the different textures, the

Film and Game Composers

www.FilmandGameComposers.com offers a wide range of interviews, reviews, guides and tutorials for composers and musicians who are interested in writing music for film, TV and video games.

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